Originally posted on Flickr Blog:
We noticed recent appearances of these plant-covered sculptures in photos from an exhibition called the Mosaïcultures Internationales Montréal (June 22 to September 29). This year’s edition covers the “Land of Hope” theme and includes over 50 “giants of the horticultural arts” on display in Canada’s impressive Montréal Botanical Garden. With 20 countries represented by 200 participating artists, the event is also an international art competition, and the winners will be picked for the Grand Honorary Jury Award and People’s Choice Award.
So looking over a few Blogs and things this afternoon and came across this article on origami sculptures. There are some great examples included in the photos of this article. Someone may be interested in trying them out. Perhaps post a photo of your efforts here. Would be good to see any that people have tried.
For more visit:
This Blog is entitled ‘Random Thoughts,’ which therefore allows me the freedom to post about all and sundry, though I do have a few definite lines that I tend to follow most of the time. Every so often I come across some very ‘random’ stuff, some of which could also be categorized as ‘weird.’ This one probably falls into the weird category if ever there was one. It could also give me something to think about when male-patterned baldness is complete.
The link below is to an article about ‘Headism,’ which is what one calls the bald head art movement apparently.
The following article reports on the latest debate surrounding the Shroud of Turin and the resurrection of Jesus Christ. Art historian Thomas de Wesselow claims the ressurection was an optical illusion.
Here is something I saw on television tonight – thought you might enjoy the Mona Lisa created by using greasy burgers.
The Chaser’s War on Everything has a very good take on art – see below:
The report below comes from the Christian Telegraph and describes the discovery of a bowl that ‘scientists’ so called are speculating all manner of theories on. It seems the discovery of any object can be used to push an agenda of any type – in this case an agenda that will stop at nothing to nullify the claims of Christ.
The footage below was found on YouTube regarding the discovery of this bowl:
The report from the Christian Telegraph now follows:
Scientists find ancient bowl that may call Jesus a magician
In what is certainly to be a controversial speculation too hard for many Evangelical Christians to swallow, scientists claim they have found an ancient bowl that refers to Jesus Christ as a magician, reports Michael Ireland, chief correspondent, ASSIST News Service.
A team of scientists led by renowned French marine archaeologist Franck Goddio recently announced that they have found the bowl, dating to between the late 2nd century B.C. and the early 1st century A.D., that is engraved with what they believe could be the world’s first known reference to Christ.
In an online article by Jennifer Viegas of the Discovery Channel posted to the MSNBC website, scientists say the engraving reads, “DIA CHRSTOU O GOISTAIS,” which has been interpreted to mean either, “by Christ the magician” or, “the magician by Christ.”
The MSNBC article says that if the word “Christ” refers to the Biblical Jesus Christ, as is speculated, then the discovery may provide evidence that Christianity and paganism at times intertwined in the ancient world.
“It could very well be a reference to Jesus Christ, in that he was once the primary exponent of white magic,” said archaeologist Goddio, who is co-founder of the Oxford Center of Maritime Archaeology.
In her article, Viegas says that Goddio and his colleagues found the object during an excavation of the underwater ruins of Alexandria’s ancient great harbor. The Egyptian site also includes the now submerged island of Antirhodos, where Cleopatra’s palace may have been located.
Viegas says that both Goddio and Egyptologist David Fabre, a member of the European Institute of Submarine Archaeology, think a “magus” could have practiced fortune telling rituals using the bowl. The Book of Matthew refers to “wisemen,” or Magi, believed to have been prevalent in the ancient world.
According to Fabre, the bowl is also very similar to one depicted in two early Egyptian earthenware statuettes that are thought to show a soothsaying ritual.
“It has been known in Mesopotamia probably since the 3rd millennium B.C.,” Fabre said. “The soothsayer interprets the forms taken by the oil poured into a cup of water in an interpretation guided by manuals.”
Fabre added that the individual, or “medium,” then goes into a hallucinatory trance when studying the oil in the cup.
“They therefore see the divinities, or supernatural beings appear that they call to answer their questions with regard to the future,” he said.
Viegas writes that scientists theorize the magus might then have used the engraving on the bowl to legitimize his supernatural powers by invoking the name of Christ.
Goddio said, “It is very probable that in Alexandria they were aware of the existence of Jesus” and of his associated legendary miracles, such as transforming water into wine, multiplying loaves of bread, conducting miraculous health cures, and the story of the resurrection itself.
Viegas explains that while not discounting the Jesus Christ interpretation, other researchers have offered different possible interpretations for the engraving, which was made on the thin-walled ceramic bowl after it was fired, since slip was removed during the process.
Bert Smith, a professor of classical archaeology and art at Oxford University, suggests the engraving might be a dedication, or present, made by a certain “Chrestos” belonging to a possible religious association called Ogoistais.
Klaus Hallof, director of the Institute of Greek inscriptions at the Berlin-Brandenburg Academy, added that if Smith’s interpretation proves valid, the word “Ogoistais” could then be connected to known religious groups that worshipped early Greek and Egyptian gods and goddesses, such as Hermes, Athena and Isis.
Hallof additionally pointed out that historians working at around, or just after, the time of the bowl, such as Strabon and Pausanias, refer to the god “Osogo” or “Ogoa,” so a variation of this might be what’s on the bowl. It is even possible that the bowl refers to both Jesus Christ and Osogo.
Fabre concluded: “It should be remembered that in Alexandria, paganism, Judaism and Christianity never evolved in isolation. All of these forms of religion (evolved) magical practices that seduced both the humble members of the population and the most well-off classes.”
“It was in Alexandria where new religious constructions were made to propose solutions to the problem of man, of God’s world,” he added. “Cults of Isis, mysteries of Mithra, and early Christianity bear witness to this.”
The bowl is currently on public display in the exhibit “Egypt’s Sunken Treasures” at the Matadero Cultural Center in Madrid, Spain, until November 15.
Report from the Christian Telegraph
Yes, this is about art, but as usual the significance of this ‘art’ escapes me. It is certainly big and I suppose it is impressive as a result. However, I always find myself asking ‘what could possibly be going through this guy’s mind?’
The picture above shows a work by Belgian artist Jan Fabre titled ‘In The Trenches Of The Brain As An Artist-Lilliputian at the Kunsthaus Exhibition Centre in Bregenz, Austria. It is part of an exhibition by Jan Fabre titled ‘From The Cellar To The Attic, From The Feet To The Brain.’
The exhibition runs until January 25, 2009. I’m sure it is a must see on the ‘Arty’ circuit.